Duffy was a key player in the 'Swinging Sixties' - a culture of high fashion and celebrity chic. Duffy was voted as one of the top most 100 influential photographer’s of all time and he richly deserves that title. When Duffy felt he had pushed the boundaries as far as he could and was no longer satisfied with stills photography he abruptly shut his studio, attempted to burn all of his negatives and moved into commercials. 

  • Brian Duffy, Aladdin Sane Eyes Open (Demi Contact), 2017
    Aladdin Sane Eyes Open (Demi Contact), 2017
  • Brian Duffy, Aladdin Sane Eyes Open (Demi Contact), 2017
    Aladdin Sane Eyes Open (Demi Contact), 2017
  • Brian Duffy, David Bowie Aladdin Sane (Contact Sheet), 2017
    David Bowie Aladdin Sane (Contact Sheet), 2017
  • Brian Duffy, Aladdin Sane, Remastered B&W Negative, 1973 (2010)
    Aladdin Sane, Remastered B&W Negative, 1973 (2010)
  • Brian Duffy, Aladdin Sane Eyes Closed, 1973
    Aladdin Sane Eyes Closed, 1973
  • Brian Duffy, Aladdin Sane Eyes Open, 1973
    Aladdin Sane Eyes Open, 1973
  • Brian Duffy, John Lennon (Contact Sheet), 1965
    John Lennon (Contact Sheet), 1965
  • Brian Duffy, John Lennon Portrait, 1965
    John Lennon Portrait, 1965
  • Brian Duffy, Paulene Stone, 1965
    Paulene Stone, 1965
  • Brian Duffy, Town - Jill Kennington, 1965
    Town - Jill Kennington, 1965
  • Brian Duffy, Michael Caine, Smoking, 1964
    Michael Caine, Smoking, 1964
  • Brian Duffy, Michael Caine (Contact Sheet), 1963
    Michael Caine (Contact Sheet), 1963
  • Brian Duffy, Jag, On the M1 Motorway - Vogue, 1961
    Jag, On the M1 Motorway - Vogue, 1961

In the late seventies, Duffy stopped taking stills and moved onto commercials, never to return to the stills camera again. In the following years, Duffy became reclusive and refused to give interviews or talk about his time at the top as a photographer. 


During the 90’s Duffy’s son Chris became frustrated that Duffy’s name was slowly slipping into obscurity and regularly tried to persuade him to do something with his remaining archive. It wasn’t until 2006 when Duffy was diagnosed with the degenerative lung disease Pulmonary Fibrosis that he finally gave Chris the green light to start putting the archive together. The process was a labour of love for the first few years. Organising, scanning and databasing what remained took many hours whilst Chris was running his video production company. 


In 2009 the opportunity to exhibit at Chris Beetles Gallery in Mayfair London gave Duffy the platform for his first ever exhibition and this was hailed with great critical acclaim. The exhibition ignited an incredible interest in his work and there were regular queues around the block. During the process of putting the exhibition together, the BBC commissioned a documentary on Duffy’s life and work which aired in 2010. Chris then started on the first monograph but sadly Duffy was never to see this and passed away on 31st May 2010. 


Since 2010 Duffy’s work has been exhibited in numerous galleries and museums around the world. In 2013 the Victoria and Albert Museum approached the archive to request use of his Aladdin Sane image as the lead image for the ‘David Bowie is’ exhibition. This show has been the V&A’s fastest selling exhibition reaching over 2 million visitors on its world tour. Duffy’s name has now become recognised by an international audience and his name is now firmly back on the map. In 2014 Duffy’s second book was released – ‘Duffy Bowie: Five Sessions’ which covers the back story to his work with David Bowie. 


Written by Chris Duffy and Kevin Cann the book explores the chemistry and creation of these five iconic sets of images illustrated with interviews from people who were directly involved. For more information click here. The archive is made up of negatives, vintage prints, modern prints and contact sheets that were held by the family and other material retrieved from numerous UK and International magazines and newspapers such as Vogue, French Elle, Glamour, The Sunday Times and The Telegraph as well as those stored from commissions of glossy magazines such as Queen, Town & London Life. The process of exhibiting Duffy’s work continues and the future holds several more book projects illuminating Duffy’s eclectic and influential work. 


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